Academic Writings

2020

Under the Surface of Images: Low-tech images produced by handheld devices for performance practice” in J. Weinel, J. P. Bowen, G. Diprose, and N. Lambert (eds.) EVA London 2020: AI and the Arts: Artificial Imagination, Proceedings of a conference held in London 6th-9th July. BCS, The Chartered Institute for IT, 2020, pp. 158-165.

2018

Arte e Animação Sociocultural em Quatro Aldeias do Xisto” in F. Magalhães with J. Sousa and M. de São Pedro Lopes (eds.), Reflexões sobre Património e Intervenção Artística, Edição Cics-Nova (Pólo de Leiria), Politécnico de Leiria, Nov. 2018, pp. 56-67

2017

Performing Words” in Electronic Literarure Directory, published online by the Electronic Literature Organization

2014

X Stories of a Technology Breakdown: How Digital Tools Influence Aesthetic and Artistic Options” in Ng, K. with S. McDaid and J. Bowen (eds.) EVA London 2014: Electronic Visualisation & the Arts. Proceedings of a conference held in London 8th-10th July. BCS, The Chartered Institute for IT, 2014, pp. 42-48.

2012

“Máquinas desumanizadoras, máquinas humanizadoras: sobre o teatro e a tecnologia” (“Machines that dehumanize, Machines that humanize: on theatre and technology”) in Pitágoras, 500 – Unicamp’s Theatre Studies Journal – vol. 2 – Abr. 2012., pp. 12-22

2011

Low tech experience: a estética da imagem low tech na performance digital ’A História é Clandestina’” (“Low tech experience: the aesthetics of low tech image in the digital performance ‘A História é Clandestina”) in Imagens De Uma Ausência, Lisboa, Edições Colibri/Centro de Estudos de Teatro, 2011, pp. 141-150

2010

“Performing in (the) Technology: Consideration on the Use of Research in Digital Performance”, in  How Does Artist Research Change Us?, proceedings of the Colloquium on Artistic Research in Performing Arts (Theatre Academy Helsinki), 2010, pp.134-141

2009

“Ballettikka Internettikka: A performatividade da tecnologia” (Ballettikka Internettikka: The performativity of technology), proceedings of the VI SOPCOM (Portuguese Association of Communication Sciences) Congress, 2009, pp. 3869-3880. Article also available in Intima Virtual Base

2007

Drama ex machina: A teatralidade da tecnologia na peça Alletsator” (Drama ex machina: the technology theatricality in the play Alletsator), in Rui Torres e Luís Carlos Petry (orgs.), Cibertextualidades, n.º 2 (“Ciberdrama e Hipermedia”), Porto, Ed. Universidade Fernando Pessoa, 2007, pp. 95-101.

2006

Metamorfoses da Mimesis” (“Metamorphoses of the Mimesis: Drama in the Electronic Age”), as part of the Encyclopaedia and Hypertext project, org. Olga Pombo, António Guerreiro and António Franco Alexandre, ed. Duarte Reis, Lisboa, 2006, pp. 417-424.(abstract available in English)

2001

Orlan do outro lado do espelho” (“Orlan Through the Looking Glass”), essay on the body-artist Orlan. (only available in Portuguese)